Tutorials
Step-by-step guides for professional workflows
Getting Started (Beginner)
Complete workflow from model to final image
Creating HDRI from Scratch
Generate 360° environment maps for 3D rendering
Cinema-Quality LogC Export
Professional log encoding for color grading
◎ Cinematic Prompt Machine
Master the art of professional prompts
Film Look Pipeline
Create authentic film emulation
Getting Started: Your First Workflow
Build a complete image generation pipeline from loading your model to saving your final image using the FXTD Radiance Sampler.
Load Your Model
Start by loading your Flux model. Add a Load Checkpoint or Load Diffusion Model node:
[Load Diffusion Model] → Select your flux1-dev.safetensors or flux1-schnell.safetensors
| Model | Description | Steps Needed |
|---|---|---|
flux1-dev |
High quality, best results | 20-30 steps |
flux1-schnell |
Fast, good quality | 4-8 steps |
Load CLIP and VAE
Flux requires dual CLIP encoders and a VAE:
[VAELoader] → ae.safetensors (Flux VAE)
Create Your Prompt
Add a CLIP Text Encode node for your prompt. Connect the CLIP output from DualCLIPLoader:
Tip: Use Cinematic Prompt Machine
Add Radiance Cinematic Prompt Machine before your CLIP encoder to automatically construct professional, high-fidelity prompts!
Set Up Empty Latent
Create an empty latent image as your canvas:
| Setting | Recommended | Notes |
|---|---|---|
width |
1024 | Standard Flux size |
height |
1024 | Square for best results |
batch_size |
1 | Number of images |
Add the FXTD Radiance Sampler ⭐
This is the heart of your workflow. The FXTD Radiance Sampler is optimized for Flux models:
[CLIP Text Encode] → positive
[CLIP Text Encode] → negative (empty for Flux)
[EmptySD3LatentImage] → latent_image
All connect to → [ FXTD Radiance Sampler]
| Setting | Value | Description |
|---|---|---|
steps |
20 | Sampling steps (4-8 for schnell) |
cfg |
1.0 | Keep at 1.0 for Flux |
sampler |
euler | Best for Flux |
scheduler |
simple | Standard scheduler |
flux_shift |
1.0 | Sigma shift (increase for hi-res) |
flux_guidance |
3.5 | Flux guidance scale |
Decode the Image
Convert the latent back to a visible image:
Preview with Radiance Pro Viewer
Use the Radiance Pro Viewer to analyze your image with professional scopes:
The Radiance Pro Viewer gives you histogram, waveform, false color, and more. Press H for histogram, E for false color!
Save Your Image
Finally, save your image to disk:
For HDR quality, use FXTD Save EXR or FXTD Save 16-bit instead!
Complete Workflow Summary
[DualCLIPLoader] → [CLIP Text Encode] ───────────┤
[EmptySD3LatentImage] ──────────────────────────────┤
↓
[ FXTD Radiance Sampler]
↓
[VAELoader] → [VAE Decode] ──────────────────────────┤
↓
[ Radiance Pro Viewer] → [Save Image]
You Now Have
- A complete Flux workflow with professional sampling
- Optimized settings for best quality output
- Professional image analysis with Radiance Pro Viewer
- Ready to enhance with film effects, upscaling, and more!
Next Steps
Now that you have a basic workflow, explore the other tutorials to add:
• Film effects and grain for cinematic
output
• LogC encoding for professional color
grading
• HDRI generation for 3D environments
Creating HDRI from Scratch
Generate professional 360° HDR environment maps for Blender, Maya, Unreal Engine, and other 3D applications.
Set Up Your Prompt
Create a detailed prompt describing your environment. HDRI prompts work best with:
- Outdoor scenes with natural lighting
- Studio environments with controlled lighting
- Dramatic skies (sunset, sunrise, overcast)
"equirectangular 360 panorama, sunset over ocean, golden hour, dramatic clouds, high dynamic range"
"360 degree studio environment, professional lighting setup, softboxes, grey backdrop, HDRI"
"spherical panorama, alien planet landscape, two suns, purple sky, sci-fi environment"
Configure Flux for 360° Output
Use a 2:1 aspect ratio for equirectangular projection:
| Setting | Value | Notes |
|---|---|---|
width |
2048 | Or 4096 for higher quality |
height |
1024 | Always half of width |
steps |
25-30 | More steps for detail |
cfg |
3.5 | Standard Flux guidance |
Build the HDR Pipeline
Connect these nodes to expand dynamic range and create a true HDRI:
→ [ HDR 360 Generate] → [ Save HDRI]
Configure HDR Expansion
Expand the dynamic range to simulate real HDR luminance:
| Parameter | Recommended | Purpose |
|---|---|---|
highlight_recovery |
1.5 - 2.0 | Extend bright areas above 1.0 |
highlight_power |
2.0 - 3.0 | How far highlights extend |
shadow_lift |
0.0 - 0.1 | Keep shadows natural |
Save as HDRI
Export in a 3D-application compatible format:
| Format | Use Case |
|---|---|
.exr (32-bit) |
Best quality, all 3D apps |
.hdr (Radiance) |
Blender, Maya, wide support |
.tiff (32-bit) |
Photoshop compatible HDR |
Pro Tip
For seamless 360° images, add "seamless panorama" or "continuous horizon" to your prompt. You can also generate multiple and blend them for variety.
Expected Result
- 32-bit EXR with extended dynamic range (10+ stops)
- Proper equirectangular projection for IBL lighting
- Ready to use in Blender, Maya, Unreal, or any 3D app
Cinema-Quality LogC Export
Create DaVinci Resolve and Premiere Pro ready footage with professional log encoding.
Why Use Log Encoding?
Log color spaces are used in professional film production because they:
- Preserve maximum dynamic range for color grading
- Match footage from cinema cameras (ARRI, Sony, RED)
- Give colorists more latitude in post-production
- Enable consistent look across different sources
Build the LogC Pipeline
This workflow converts AI-generated images to cinema-grade log footage:
→ [ Log Curve Encode: ARRI LogC3] → [ Save EXR (16-bit)]
Choose Your Log Curve
Select based on your post-production workflow:
| Curve | Best For | Software Support |
|---|---|---|
ARRI LogC3 |
Film production, most versatile | All professional NLEs |
ARRI LogC4 |
Latest ARRI cameras (ALEXA 35) | DaVinci, Baselight |
DaVinci Intermediate |
Pure DaVinci Resolve workflow | DaVinci Resolve |
ACEScct |
Full ACES color pipeline | Pro facilities |
Configure Export Settings
For maximum quality in post-production:
| Setting | Value | Reason |
|---|---|---|
Format |
EXR | Full HDR, metadata support |
Bit Depth |
16-bit float | Balance of quality and size |
Compression |
PIZ or ZIP | Lossless, good ratio |
Import into DaVinci Resolve
To properly view your LogC footage in DaVinci Resolve:
- Import your EXR sequence
- Open Project Settings → Color Management
- Set Color Science to "DaVinci YRGB Color Managed"
- Set Input Color Space to "ARRI LogC3" (or your chosen log)
- Set Timeline Color Space to "DaVinci Wide Gamut Intermediate"
- Your footage will now display correctly and grade beautifully!
Important
Log-encoded images will look flat and desaturated — this is normal! They must be viewed with the correct color transform applied. Never judge your image quality based on the raw log appearance.
Expected Result
- 16-bit or 32-bit EXR in professional log color space
- 14+ stops of dynamic range preserved for grading
- Compatible with DaVinci Resolve, Premiere Pro, After Effects
- Matches real cinema camera footage in your timeline
◎ Mastering the Cinematic Prompt Machine
Generate industry-standard cinematic prompts with granular control over every visual aspect.
Understanding the Prompt Machine
The Cinematic Prompt Machine builds professional prompts by combining:
- Camera — The camera body and sensor characteristics
- Lens — Focal length, aperture, lens character
- Lighting — Light quality, direction, mood
- Film Stock — Color science and grain character
- Style — Genre and artistic direction
Connect the Node
The node outputs a complete prompt string ready for your text encoder.
Configure Camera & Lens
Choose your virtual camera setup:
| Camera | Character |
|---|---|
ARRI ALEXA 35 |
Cinema standard, natural skin tones |
RED V-RAPTOR |
Sharp, high-resolution look |
Sony Venice 2 |
High dynamic range, filmic |
Blackmagic URSA |
Punchy colors, indie film look |
| Lens | Effect |
|---|---|
Cooke S7/i |
Classic cinema, gentle bokeh |
Zeiss Master Prime |
Clinical sharpness, modern |
Panavision Anamorphic |
Wide aspect, lens flares |
Canon K35 |
Vintage, organic character |
Set Lighting & Mood
Define your lighting setup:
| Lighting | Mood |
|---|---|
Golden Hour |
Warm, romantic, cinematic |
Blue Hour |
Cool, mysterious, contemplative |
Rembrandt |
Dramatic, portrait, classic |
High Key |
Bright, clean, commercial |
Noir |
High contrast, shadows, moody |
Natural Window |
Soft, diffused, documentary |
Choose Film Stock & Style
Add color science and genre styling:
| Film Stock | Look |
|---|---|
Kodak Vision3 500T |
Warm, tungsten balanced, classic cinema |
Fuji Eterna |
Cooler tones, Japanese cinema |
CineStill 800T |
Halation, night photography |
Kodak Portra 400 |
Skin tones, fashion photography |
Add Your Subject
Enter your main subject description in the subject field. The Prompt Machine will wrap
it with all your cinematic settings.
"a woman walking through rain-soaked streets at night"
"an astronaut on the surface of Mars"
"a vintage car parked outside a diner"
"close-up portrait of an elderly man with weathered face"
Pro Tips
• Combine ARRI ALEXA + Cooke lenses for the most "Hollywood" look
• Use Anamorphic lenses for widescreen cinematic aspect
• CineStill 800T adds beautiful halation around lights
• Match camera + film stock from real productions you admire
Example Output
"A cinematic photograph of a woman walking through rain-soaked streets at night, shot on ARRI ALEXA 35 with Cooke S7/i 50mm prime lens at f/1.4, noir lighting with practical neon reflections, Kodak Vision3 500T film stock, 4K resolution, professional color grading, shallow depth of field, film grain, high dynamic range"
Complete Film Look Pipeline
Transform AI-generated images into authentic film-like footage with grain, halation, and color science.
The Film Look Pipeline
Connect nodes in this order for authentic film emulation:
→ [ FXTD Film Look] → [ FXTD Lens Effects] → [Save Image]
Color Grade First
Use Radiance Grade to set your base look before applying film effects:
| For This Look | Settings |
|---|---|
| Warm Cinema | Lift: +0.02 orange, Gain: -0.03 blue |
| Cool/Teal | Lift: +0.03 teal, Gamma: -0.02 orange |
| High Contrast | Contrast: 1.2, Saturation: 1.1 |
| Faded Film | Lift: +0.05, Contrast: 0.9, Sat: 0.85 |
Apply Film Stock
Choose a film stock preset in FXTD Film Look:
| Stock | Character | Best For |
|---|---|---|
Kodak Vision3 500T |
Warm tungsten, fine grain | Night scenes, interiors |
Kodak Vision3 250D |
Clean daylight, natural | Outdoor, daylight scenes |
CineStill 800T |
Strong halation, neon glow | Night city, neon lights |
Kodak Portra 400 |
Beautiful skin tones | Portraits, fashion |
Fuji Velvia 50 |
Saturated, punchy | Landscapes, vivid scenes |
Add Lens Character
Add optical imperfections for authenticity:
| Effect | Amount | Purpose |
|---|---|---|
Halation |
0.1 - 0.3 | Highlight glow (film look) |
Chromatic Aberration |
0.5 - 1.5 | Color fringing at edges |
Vignette |
0.2 - 0.4 | Dark corners (cinema) |
Bloom |
0.1 - 0.2 | Soft glow overall |
Less is More
Subtle effects look more professional. Start with low values and increase gradually. Heavy-handed grain and halation often look artificial.
Expected Result
- Authentic film grain matching your chosen stock
- Subtle halation around bright areas
- Lens character (vignette, aberration)
- Color science matching real film stocks
- Professional cinematic output ready for delivery